DESIGN PHILOSPHY
Every project offers an opportunity to create a unique place with its own identity and character. In our designs, we use whatever means are appropriate to provide meaningful patterns of form and materials, space and light, to enhance the sense of place and create memorable environments which are both functionally efficient and a delight to inhabit. We achieve this through varied spatial progression and architectural detailing, expression of structure and relationship to physical context, or through inventive use of lighting and color. The most successful designs incorporate all these elements. We strive to achieve these qualities in every project whether a new corporate headquarters or a residential addition. We believe there can be a unique design for every project which responds not only to its specific physical context and particular use, but is also an embodiment of the aspirations of the client. This can result in the creation of a unique place which is an expression of higher human values.
GOAL DEFINITION AND DESIGN PROCESS
We see design as an interactive process between the user/client and the architect, and our clients' goals are our guide in generating the alternative solutions for their consideration. When offering these alternatives, we make clear the implications of design choices to functional relationships, spatial expression and visual clarity. After we meet with a client to discuss requirements, it is our method to carefully document and diagram our understanding of our clients’ expressed and implied goals and needs, for their review. With this understanding, we are then able to generate alternative designs which go beyond specific goals and combine solutions in forms which relate use to context in a variety of ways. The alternative solutions we generate may include not only functional relationships, circulation patterns, and visual image, but also responses to budget constraints and schedule imperatives. Design is an iterative process with each progressive solution adding understanding of goal priorities and formal possibilities. As the design proceeds, priorities may be reexamined, but throughout the process, the goals are clear. By restating priorities at each phase of design, we have found that design themes may be explored at early stages, and designs evolve as a whole. Clear illustrative drawings throughout the process enhance communications between the owners and architect.
BUDGET CONSCIOUSNESS
All projects have budget constraints. We see these as challenges which are part of the design process. As such, they are fully integrated into our approach. Even in early design stages of projects, we note materials, building systems and construction requirements, and can provide outline specifications and plans for budget estimates. Great design can be cost conscious design. Good lighting design, and the clear relationship of spaces and materials and the appropriate use of color, are all more important than expensive materials in achieving a strong design statement.
